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Silk Stalkings Victoria Nichols?Susan Thompson? Rehabilitation Medicine The Management of Physical Disabilities Philip John Russell Nichols? Echinoderms David Nichols? Rehabilitation of the Severely Disabled Philip John Russell, etc. Nichols? Echinoderms David Nichols? Transistor Physics (Mod. Elect. Studs.) K G Nichols?E V Vernon? Transients in Electronic Engineering (Mod. Elect. Studs.) K G Nichols?E E Zepler? Transistor Physics (Science Pbs.) K G Nichols?E V Vernon? Moving the Earth Herbert Lownds Nichols? Historic Churches of New South Wales A, etc. Nichols? Psychological Care in Physical Illness Keith A Nichols? Votes and More for Women Suffrage and After in Connecticut Carole Nichols? Evolution's Captain Peter Nichols? Big Paul's School Bus Paul Nichols?William Marshall? Classic Cars Richard Nichols? Classic Corvette Richard Nichols? Benn's Media Directory, 1994 United Kingdom (Benn's Media Directory United Kingdom) Milldale Riot (Active Readers , 2nd S) Freda P Nichols? Poachers (Active Readers) Freda P Nichols? Matrimonial Homes (Family Protection) (Scotland) Act, 1981 David I Nichols?M C Meston? Family Law (Scotland) Act, 1985 David I Nichols? Family Law (Scotland) Act, 1985 David I Nichols? Shipped to Botany Bay (Active Readers , 2nd S) Freda P Nichols? Oxford Reading Tree Stage 6 Fireflies Class Pack (36 Books, 6 of Each Title) Anne-Marie Parker?Ben Smith?Madeleine Samuel?Holly Jack?Max Nichols?Norman Bilborough?Moira Andrew? Oxford Reading Tree Stage 9 Fireflies Class Pack (36 Books, 6 of Each Title) Max Nichols?Nash Kramer?Stanley Ling?Bronwyn Tainui?Georgia Thomas?Isabel Macdonald? Key to Midnight Leigh Nichols? Garden Open Tomorrow Beverley Nichols? Sun in My Eyes... or How Not to Go Round the World Beverley Nichols? Back to the Blitz Freda P Nichols? Musical Encounters Nichols Benn's Press Directory, 1983 United Kingdom Nichols Editiors? Complete Citizen's Band Radio Richard Nichols? Family Therapy Concepts and Methods Salvador Minuchin?Michael P. Nichols?Richard C. Schwartz? Framework for Reading Joan Dean?Ruth Nichols? Romanticism in American Theology James Hastings Nichols? On Communication and Social Influence (Heritage of Soc. S) Gabriel Tarde?Terry Nichols Clark? Milagro Beanfield War John Nichols? Tree That Sat Down Beverley Nichols? Physical Education for Girls in Tropics Zoe Nichols? Gift of a Home Beverley Nichols? Wickedest Witch in the World Beverley Nichols? CB Radio Richard Nichols? Gift of a Garden Beverley Nichols? Down the Kitchen Sink Beverley Nichols? Moonflower Beverley Nichols? No Man's Street Beverley Nichols? Cats' A-Z Beverley Nichols? Piedmont and the English Peter Nichols? Rich Die Hard Beverley Nichols? Death to Slow Music Beverley Nichols? Erfolgreicher ueberzeugen und fuehren durch bessere Kommunikation Ernest G. Bormann?William S. Howell?Ralph G. Nichols? Reflection Turning Experience into Learning David Boud?Rosemary Keogh?David Walker? Familie. Die Kraft der positiven Bindung. Hilfe und Heilung durch Familientherapie Salvador Minuchin?Michael Nichols? Foreign Policy Adaptation Steven M. Smith? Die boeseste Hexe der Welt. Beverley Nichols? Mitchell's Guide to Services Selection and Integration in Low Rise Buildings Jim Alder? Als Zeis die Welt in Atem hielt. Goetter und Helden der Antike haben wirklich gelebt Marianne Nichols? Die Divisionen des Papstes. Die katholische Kirche zwischen gestern und morgen Peter Nichols? Dating Women Love, Sex, Flirting and the Happy Everafter Cath Nichols? Energy Conservation in Hot Climates Dieter Holm? Saturns Kind. Nichelle Nichols?Margaret Wander Bonanno? Peacemaking and the Consultant's Role Christopher Roger Mitchell? Bowright Image (Rainbow Romance) Mary Nichols? Gift of Patience Mary Nichols? On-Line Computing for Small Businesses Silver's Wall Maurice A. Silver? Die Mordblume. Beverley Nichols? Adult Literacy and Broadcasting The Bbc's Experience David Hargreaves? Die neuen Techniken der Kommunikation. Ernst G. Bormann?Howell?Nichols.? Love Is for Giving Mary Nichols? Pray Love Remember Mary Nichols? Lark in Summer Mary Nichols? Skeet- und Trap- Schiessen. Eine praktische Anleitung Bob Nichols?Robert Dietz? Magic of the Mountain (Rainbow Romance) Mary Nichols? Grosse Liebe zu kleinen Gaerten Beverley Nichols? In-Service, the Teacher and the School Carol Donoughue? Nuclear Power in Perspective Eric Addinall? Factories Planning and Design Ruth Kamen? Housing Adaptations for Disabled People Terence Lockhart? Protecting Your Business Secrets M. K. Saunders? Adult and Continuing Education Theory and Practice Peter Jarvis? Theory and Practice of Microprocessors (Computer Systems Engineering Series) K.G. Nichols?E.J. Zaluska? Multicultural Resources for Children; A Bibliography of Materials for Preschool Through Elementary School In the Areas of Black, Spanish-Speaking, A Margaret S. Nichols? Menschenaffen Jane GoodallMichael Nichols?George B. Schaller? Biographical And Literary Anecdotes of William Bowyer, Printer, And of His Many Learned Friends (Thoemmes Press- Thoemmes Library of Printing and the Book Trade) John Nichols? Die klassischen Amerikaner. Eine Parade der aussergewoehnlichsten US- Autos Richard Nichols?Paul Badre? Chilton's Repair and Tune Up Guide Honda Civic 1973-1986 Computers Mean Business Jacquetta Megarry? Shopping Malls Planning and Design Barry Maitland? Theory and Practice of Microprocessors K.G. Nichols?E.J. Zaluska? The Education and Training of the Mentally Retarded Recent Advances Adrian F. Ashman?Ronald S. Laura? Positive Behaviour Management A Manual for Teachers P. L. Cheesman?P. E. Watts? Disruptive Children, Disruptive Schools? Jean Lawrence?David Steed?Pamela Young? Vierzig werden. Die zweite Lebenshaelfte als Chance zur Veraenderung. Michael P. Nichols? Positive Behavior Management A Manual for Teachers P. L. Cheesman?P. E. Watts? The Sociology of Industrial Injury (Employment and Work Relations in Context (Paperback)) Theo Nichols Chopper Dave NicholsMichael Lichter Framework for Reading Joan Dean?Ruth Nichols? Liturgical Hermeneutics B. Nichols? Maternal-newborn Nursing Francine H., PhD RNC FACCE Nichols?Elaine, RN PhD FACCE Zwelling? Die magische Schrift. Adam Nichols Claude Debussy im Spiegel seiner Zeit. Portraitiert von Zeitgenossen Roger Nichols? Nichols/Humenick Childbirth Education ISE/R Der Weg zur Entfaltung der Psi- Kraefte. Die Wissenschaft der aussersinnlichen Wahrnehmung R. Eugene Nichols? Die Kunst des Zuhoerens Michael P. Nichols? Beere, Blatt und Baum. Impressionen in Gruen Ethne Clarke?Clive NicholsDiana. Leadbetter? Liturgical Hermeneutics Interpreting Liturgical Rites in Performance Bridget Nichols? Design and Detailing for Energy Conservation Ian Murphy?Michael Gage? The Fashioning of Middle-Class America Sartain's Union Magazine of Literature and Art and Antebellum Culture (Early American Literature and Culture Through the American Renaissance, V. 6) Heidi L. Nichols? Computer Analysis of Structural Frameworks James A. D. Balfour? Scribe of the Kingdom Aldan Nichols? Aspects of Educational Technology Fred Percival?Harry Ellington? New Technology and Industrial Change The Impact of the Scientific-Technical Revolution on Labour and Industry Ian Benson?John Lloyd? Die Daemonen von Mirador. Adam Nichols Countering Educational Design Ted Nunan? Bicycle Planning Policy and Practice Mike Hudson? The Handbook of Computer-Based Training Christopher Dean?Quentin Whitlock? Das magische Wissen der Druiden. Tradition und Geschichte der keltischen Geheimlehre. Ross Nichols? Hidden Springs Medieval Religious Women (Cistercian Studies, Vol 3) John A. Nichols? Toedliches Spiel. Sarah Nichols? Perspectives on Academic Gaming and Simulation Lynton Gray?Ian Waitt? The Transition from School to Work Michael A. West?Peggy Newton? Vaginal Surgery David H. Nichols?Clyde L. Randall? Mord im Dreivierteltakt. Beverley Nichols? Vaginal Surgery David H. Nichols?Clyde L. Randall? In ein Haus verliebt. Betrachtungen. Beverley Nichols? Das Dorf im Tal. Roman. Beverley Nichols? Vaginal Surgery David H. Nichols?Clyde L. Randall? The Small Computer and Architectural Practice John Perry? Considering the Curriculum During Student Teaching John Heywood? Education, Training, and the New Technologies Janey Tucker? Personal Adjustment and Growth John Nichols?Andrew Schwebel? Physical Education for Elementary Teachers Nichols Sports and Recreation Provision for Disabled People Neil Thomson? Guide to Non-Ferrous Metals and Their Markets Peter Robbins? The British Worker Question Theo Nichols Naegel mit Koepfen Linda Nichols? Commodity Models for Forecasting and Policy Analysis Walter C. Labys? Special Education and Social Interests Len Barton?Sally Tomlinson? The Effective Use of Role-Play A Handbook for Teachers and Trainers Morry Van Ments? Nicht nur Uhura. Star Trek und andere Erinnerungen. Nichelle Nichols? Best of Architects Working Details External Colin Boyne?Lance Wright? Grosse Liebe zu kleinen Gaerten. Beverley Nichols? Teacher Thinking A Study of Practical Knowledge Freema Elbaz? The Future of Oil World Oil Resources and Use Peter R. Odell?Kenneth E. Rosing? Vaginal Surgery Tape 1 NTSC VD Nichols Vaginal Surgery Tape 2 NTSC VD Nichols Vaginal Surgery Tape 3 NTSC VD Nichols Microcomputers in Building Appraisal Peter S. Brandon? How to Make Your Life Work A Guide for Achieving All That Matters Dwight O. Nichols? The Delirious Decade Nineteen Sixty-Five to Nineteen Seventy-Five A Social History of a Community College Donald D. Nichols? Educational Development A Select Bibliography John L. Clarke? Handbook of Salary Administration Michael Armstrong?H. Murlis? Chilton's Repair and Tune-Up Guide Datsun 210-1200 1973-1982 Dictionary of Instructional Technology Henry Ellington? Oh Lonesome Me Weta Nichols?Melinda Conrad? Als Zeus die Welt in Atem hielt. Goetter und Helden der Antike haben wirklich gelebt. Marianne Nichols? Greek Everyday Life (Aspects of Greek Life) R. Nichols?S. Nichols? Longman Book Project Fiction Band 2 Cluster A Animal Poems Completer Pack (Longman Book Project) Judith Nichols? Longman Book Project Fiction Band 2 Cluster Pack A Animal Poems (Longman Book Project) Judith Nichols? Benn's Media Directory, 1996 United Kingdom (Serial) Forty Years of American Life Thomas Nichols Sir Francis Drake Revived Philip Nichols? Forty Years of American Life Thomas Nichols International Leather Guide 1990 Benn s Business Information Services? Federalism As a Democratic Process Essays (Publications of the One Hundred Seventy-Fifth Anniversary Celebration, No. 2.) Roscoe Pound?Charles Howard McIlwain?Roy F. Nichols? Chilton's Honda 1973-90 Update Chilton Books Staff? Phillips International Paper Directory 1990 Benn s Business Information Services? Chilton's Guia Para LA Reparacion Y Afinacion Ford Pick-Ups 1965-82 Benn's Media Directory, 1992 Europe (Benn's Media Europe) Help Is Available Elizabeth Nichols? Research in Urban Policy Managing Cities Volume 2 Part B (Research in Urban Policy) Terry Nichols Clark? Research in Urban Policy Part A, Fiscal Austerity and Urban Management Part B, Managing Cities, Vol 2 (Research in Urban Policy) Terry Nichols Clark? Research in Urban Policy Decisions on Urban Dollars (Research in Urban Policy) Terry Nichols Clark? Benn's Media Directory, 1992 World Americas, Africa, Asia, Australasia (Benn's Media World Edition) Sensing, Discrimination, and Signal Processing and Superconducting Materials and Instrumentation (Proceedings Spie-the International Society for Opti) Roy Nichols?James A. Ionson? Allein auf hoher See. Abenteuer einer Weltumseglung Peter Nichols? A Road Map for Improvement of Student Learning And Support Services Through Assessment James O. Nichols?Karen W. Nichols? Darwins Kapitaen Peter Nichols? Milagro. Der Krieg im Bohnenfeld. John Nichols? Magic Journey. Roman. John Nichols? Sustainable Energy Rick Piltz?Chris Flavin?Chris Nichols? Printing Trades Directory, 1992 American Blood. John Nichols? Evidentiality The Linguistic Coding of Epistemology (Advances in Discourse Processes) Wallace Chafe?Johanna Nichols Urshurak. Jerry Nichols?Gebrueder Hildebrandt? International Yearbook of Educational and Instructional Technology, 1978/79. Association for Programmed Learning & Educational Technology? International Bibliography of Alternative Energy Sources G. Hutton?M. Rostron? Urshurak. Hildebrandt?Jerry Nichols? Caribbean Integration The Politics of Regionalism (233p) W. Andrew Axline? French Legation in Texas Nancy Nichols Barker? Allein auf hoher See. Abenteuer einer Weltumseglung Peter Nichols? Nichols Debtor-Creditor Practice Forms John Tingley?Clark Asahel Nichols? Benn's Media Directory, 1992 (Benn's Media Directory) Mathematics Dictionary and Handbook Eugene D. Nichols?Sharon L. Selwartz? Meet the Stars of Dawson's Creek Angie Nichols? Mary Shelley Frankenstein's Creator Joan Nichols? Write It! a Guide for Research Betty Bankhead?Janet Nichols?Dawn Vaughn? Der Freisegler. Logbuch der Erinnerung. Peter Nichols? Invasion of the Judy Snatchers (Disney's Doug the Funnie Mysteries) Dennis Garvey?Tommy Nichols?Bill Presing? Thomas' Railway Word Book (Thomas the Tank Engine Friends (Paperback)) Paul Nichols? Mary Shelley Frankenstein's Creator (Barnard Biography) Joan Kane Nichols? Der Freisegler. Logbuch der Erinnerung. Peter Nichols? Cooperation, Control and Product Productivity John Cable?Wilson Nichols? Design Automation of Integrated Circuits Nichols Designing Instructional Systems A. J. Romiszowski? Men's Lib. Die Emanzipation des Mannes Jack Nichols? Poetry by Gladys Gladys Nichols? Problem Solving, Learning and Teaching An Annotated Bibliography Claire Conley Hill? No Hickory, No Dickory, No Dock John Agard?Grace Nichols?Penny Dann? Sea Change Alone Across the Atlantic in a Wooden Boat Peter Nichols? Familie. Die Kraft der positiven Bindung. Hilfe und Heilung durch Familientherapie. Salvador Minuchin?Michael Nichols? British Hospital and Health-Care Buildings Designs and Appraisals P. Stone? The Scientific Study of Foreign Policy James N. Rosenau? Nur keine falsche Scham. Anleitung zur Selbstachtung Michael P. Nichols? Chilton's New Repair and Tune-Up Guide for Volvo, 1970-1981 Chilton Editors? Mathematics Dictionary and Handbook Eugene D. Nichols? Satie Remembered Robert Orledge?Roger Nichols? Open Door Connections to the New Age Fred Nichols? Book of Old Ballads Beverly Nichols? 1850 Hillsborough County, New Hampshire, Census (Part 3) Ann L. Nichols Brown? Chemist and Druggist Directory 1990 Also Tablet and Capsule Identification Guide (Chemist and Druggist Directory and Tablet and Capsule Identification Guide) Benn s Business Information Services? America Uncensored A Nation in Search of Its Soul Michael A. Nichols? Chilton's Chevy Car Care Guide John Nichols Magic Journey/Readings John Nichols? John Nichols, Interview John Treadwell Nichols? Tiger Michael Nichols?Geoffrey C. Ward? Cal 97 Gardens Clive Nichols The Magic in You Terri Nichols? Cal 99 Gardens Calendar Clive Nichols Saint Nichols Speaks/9162 Stephen M. Crotts? Abie's Irish Rose Anne Nichols?Flo Gibson? Phillip's International Paper Directory, 1993 (Phillips International Paper Directory) Ransom of Paris Tom Nichols?Maynard Villers? Pinkerton's Gold Tom Nichols?Rusty Nelson? Benn's Media Directory International, 1990 John Hedges? Ride With Custer Tom Nichols? Hidden Springs Cistercian Monastic Women John A. Nichols? Benn's Media Directory 1987 Incorporating Benn's Press Directory United Kingdom/International (Benn's Media Directory) I Will Sing for Ever K. Ruxton?V. Nichols? 101 Ways to Run Your Own Business Profitably Steve Pipe? Big Book of Science Charts My Body Breck Nichols Medieval Religious Women Peaceweavers (Cistercian Studies Series) Lillian Thomas Shank?John A. Nichols? Printing Trades Directory, 1993 (Printing Trades Directory) The Servant of Two Masters Carlo Goldoni?Ralph Allen?Harriet Nichols? Hidden Springs Medieval Religious Women (Cistercian Studies, Vol 3) John A. Nichols? Benn's Media Directory, 1993 Europe (Benn's Media Europe) His Light Shines Kevin Ruxton?Vince Nichols? Sammy the Sparrow First and Fastest Valerie Nichols? The Great Zodiac of Glastonbury R. Nichols? Sammy The Sparrow First And Fastest Valerie Nichols? Katzen ABC Beverley Nichols? Mediaeval Religious Women (Cistercian Studies) John A Nichols?Lillian Thomas Shank? Secret of Playing by Ear Joyce E. Nichols? Benn's Media Directory, 1993 World Americas, Africa, Asia, Australasia (Benn's Media World Edition) Cal 97 Gardens Clive Nichols The Success Code A Revolutionary Plan for Creating a Phenomenal Life! Brendan Nichols? Research in Urban Policy (Research in Urban Policy) Terry Nichols Clark?George A. Boyne? Forty Years of American Life Thomas Nichols The Gentle Giant The Chris Taylor Story Lynn Marr-Moore?Harold J. Nichols? No Escape from Love E. Ray Nichols? Chester SPECIAL EDITION Nichols Stuart? An American Child Supreme The Education of a Liberation Ecologist (Credo Series) John Treadwell Nichols? The Archaeology of City-States Cross-Cultural Approaches (Smithsonian Series in Archaeological Inquiry) Deborah L. Nichols?Thomas H. Charlton? El Mundo de Ravel Roger Nichols? Stencils (Activity Books - Shape Play) Frank Nichols? Benn's Media Directory, 1994 Excavations on Black Mesa, 1981 A Descriptive Report (Research Paper (Southern Illinois University at Carbondale. Center for Archaeological Investigations), No. 36.) Southern Illinois University at Carbondale Center for Archaeological i?Francis E. Smiley?Deborah L. Nichols?Peter P. Andrews?Dana Anderson? Excavations on Black Mesa, 1982 A Descriptive Report (Research Paper (Southern Illinois University at Carbondale. Center for Archaeological Investigations, No. 39.) Deborah L. Nichols?Francis E. Smiley? The Changing Face of Luton Stephen Bunker?Robin Holgate?Marian Nichols? Twilight Beverly Nichols? Clinical Nutrition of the Young Child Oscar Brunser?Francisco R. Carrazza?Michael Gracey?Buford Nichols? The Sailing - Narratives 2-In-1 Special The Cruise of the Snark / Sir Francis Drake Revived Jack London?Philip Nichols? PC Learning Labs Teaches Coreldraw! 4.0 Logical Operations/Book and Disk (P C Learning Labs) Susan L. Reber?Robert Nichols Kulik? Step-by-Step Quick and Healthy Vegetarian Dishes Annie Nichols Contemporary Family Therapy William C. Nichols? Oh Lonesome Me Weta Nichols? The Future of the World Motor Industry Krish N. Bhaskar? Me And Uncle Mike And Billy Goat Bob (Me and Uncle Mike) Dannel Roberts?Brenda Wildhagen Nichols? The Complete Dairy Foods Cookbook How to Make Everything from Cheese to Custard in Your Own Kitchen Annie Proulx?Lew Nichols? Me And Uncle Mike And The Purple Gorilla (Me and Uncle Mike) Dannel Roberts?Brenda Wildhagen Nichols? Chemical Industry Directory, 1994 (Chemical Industry Europe) Caviar Dreams Judy Nichols? The Thought of Benedict XVI An Introduction to the Theology of Joseph Ratzinger Joseph Cardinal Ratzinger?Aidan Nichols? Beverley Nichols' Cats' A.B.C. and X.Y.Z., 2 Volumes (Beverley Nichols' Cats' X. Y. Z.) Beverley Nichols? The Sailing - Narratives 2-In-1 Special The Cruise of the Snark / Sir Francis Drake Revived Jack London?Philip Nichols? Leather Guide 1985 International Directory of the Industry The Sailing - Narratives 2-In-1 Special Two Years Before the Mast / Sir Francis Drake Revived Richard Henry Dana?Philip Nichols? Labour in a Global World (Cardiff University, School of Social Sciences, Working Papers S.) Theo NicholsNadir Sugur?Erol Demir? Computer Telephony Integration Simon Glassman?Paul Lee?Eirwen Nichols? The World's Major Telcos Eirwen Nichols?John Matthews?Simon Glassman?Robin Hearn?Adrian May? African Writers at the Microphone Lee Nichols? More Thinking Through Geography Adam NicholsDavid Kinninment?David Leat? Benn's Media Directory, 1988/International (Benn's Media Europe) Not a Sparrow Falls Linda Nichols?Joyce Bean? African Writers at the Microphone Lee Nichols? Psychiatric Implications (Clinical Insights) Stuart E. Nichols?David G. Ostrow? Boys, Bedouins, and Castratos Jeremy Sanders Nichols? Innovations in Dementia Care Ralph Nichols? John Eleanor A Sense of Community Max J. Nichols? El Mundo de Debussy Roger Nichols?
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Explanation of slangs used by VIPPERs VIPPERs use these characters although usual Japanese don t know these. If you use these slangs to normal Japanese people, they might think that you are very strange. Please take care not to use these in other places! 今北=ima kita I came here now. 今北産業=ima kita san gyou I came here now. Describe/Explain what s going on in 3-lines. 乙=otu=otukaresama You ve done very well. Please take a good rest. ﾉｼ=gesture of waving hand Welcome or good bye ノ=Gesture of raising hand つ=Gesture of hand that is giving something. orz=Appearance of a person who is depressed oL/=Appearance of a person who is in supine position (created by Hungarian clickers) ㌧=ton=arigaton=arigatou thanks おｋ=ok w=warai Laugh. Has a similar meaning to "lol". image(slangs) image(orz oL/ oL〆) 心に草を literally grass in your mind meanings (simple) Keep 2channler s spirit with sheer determination like what hardy weeds have the most of kanji s are composed by several smaller parts. With 草(grass, weed) and 心(heart, spirit, mind), we get 芯(pith) the term 草(grass) is originaly came from simbols like "wwwwwww" that means laugh, from the capital latin letter of a japanese verb "warrau"namely "laughing". (complicated)
https://w.atwiki.jp/oper/pages/3000.html
ATTO SECONDO （Galleria dalla quale vedonsi i giardini.） SCENA PRIMA （Alfonso e Don Gasparo.） ▼ALFONSO▲ Giardini d'Alcazar, de' mauri regi care delizie, oh, quanto alla vostr'ombra riandar m'è grato i dolci sogni dell'amore, onde s'inebria il cor. ▼GASPARO▲ Del vinto il tetto è premio al vincitor, per te la fede trionfa, e Ismael fugge e paventa. ▼ALFONSO▲ Sì, di Marocco i regi e di Granata insiem, vider la luna a Tariffa crollar. ▼GASPARO▲ Fu la tua gloria, signor. ▼ALFONSO▲ Fu mia? Non mai. Fu Fernando, fu quel garzon valente, che un giorno sol fe' noto, che rannodò l'armata salvando il suo signor. Ogg'io l'attendo a Siviglia e innanzi a tutti il suo valore d'onorar desio. ▼GASPARO▲ Della tua sposa or giunse sdegnoso il genitor. ▼ALFONSO▲ （con impazienza） Alcun gli fea già chiaro il mio pensiero. （Don Gasparo a cui don Alfonso fa cenno di uscire, s'inchina con rispetto e parte.） SCENA SECONDA （Alfonso solo.） ▼ALFONSO▲ （seguendo con lo sguardo Don Gasparo） Ma de' malvagi invan sul capo mio sventure impreca invida rabbia, invano contro il mio amor congiurano; di tutti l'inique trame io scerno. Per te, mia vita, affronterei l'averno. Vien, Leonora, a' piedi tuoi serto e soglio il cor ti pone. Ah! se amare il re tu puoi, mai del don si pentirà, lo splendor delle corone cede innanzi alla beltà. De' nemici tuoi lo sdegno disfidar saprò per te; se a te cessi e l'alma e il regno, io per gli altri ancor son re. De' miei dì compagna io voglio farti, o bella, innanzi al ciel, al mio fianco unita in soglio, al mio fianco nell'avel. （movendo incontro a Don Gasparo, che ritorna, e col quale s'intrattiene） Per la festa previen tutta mia corte. SCENA TERZA （Leonora discorrendo a voce bassa con Ines, Alfonso e Don Gasparo.） ▼LEONORA▲ Ebben, così si narra! ▼INES▲ Ei prode vincitor. ▼LEONORA▲ Egli è Fernando! A lui la gloria!… O cielo! a me l'infamia! . （fa cenno ad Ines di ritirarsi e il re s'avvicina a Leonora） ▼ALFONSO▲ Ah, Leonora, il guardo perché mesta inclinar? ▼LEONORA▲ Lieta tu credi sia la tua donna teco!… il cor non vedi! Quando le soglie paterne varcai debol fanciulla, delusa nel cor, giunta qui teco, divider sperai il talamo, offerto di sposa all'amor. ▼ALFONSO▲ （sommessamente） Taci. ▼LEONORA▲ Sì, Alfonso, me traviata, avvilita m'hai tolto il padre, I'onore, la fé, tacita e sola, da tutti schernita tra l'ombre ascosa, la bella è del re. ▼ALFONSO▲ In questo suol a lusingar tua cura regna il piacer, la via sparsa è di fior. Se intorno a te più bella appar natura, ahi, donde avvien che tanto è il tuo dolor? ▼LEONORA▲ In questo suol s'ammanta la sventura di gemme, d'oro, e di leggiadri fior, ma vede il cielo la mortal mia cura; se ride il labbro, disperato è il cor. ▼ALFONSO▲ Ma di tue doglie la cagion primiera? ▼LEONORA▲ Ah! taci… indarno tu la chiedi a me, soffri che lungi da tua corte io pera. ▼ALFONSO▲ A ogni uomo è noto l'amor mio per te. Alfin vedrai, se questo cor t'adora. ▼LEONORA▲ È vil Leonora, troppo grande è il re. ▼ALFONSO▲ (Ah! l'alto amor che nutro in petto in lei diviene sterile affetto, non v'ha destin del suo miglior, pur grave, oh Dio! le pesa in cor.) ▼LEONORA▲ (Ah! l'alto amor che nutro in petto in me divien soave affetto ma splende invan, come fulgor, di tomba, oh Dio, nel muto orror.) （Entrano in questo momento dame, cavalieri, paggi, soldati.） ▼ALFONSO▲ Poni tregua al martir, siedi regina della festa che amore a te destina. SCENA QUARTA （Don Gasparo e detti.） ▼GASPARO▲ Ah! Sire! ▼ALFONSO▲ Che mai fu? ▼GASPARO▲ （sommessamente） Tua fede intera al suddito fedele ognor negasti ebben, lei che colmasti di fortuna e di gloria, il suo sovrano nel segreto tradìa. ▼ALFONSO▲ Menti. ▼GASPARO▲ Uno schiavo questo foglio recato avea per essa ad Ines… （Alfonso legge） il labbro mio non mente. ▼ALFONSO▲ （allontanando d'un gesto Don Gasparo） No, possibil non è. （volgendosi poi a Leonora） Chi scriverti osa, e parlarti d'amor? ▼LEONORA▲ （riconoscendo il carattere） Ah! l'uom che adoro! ▼ALFONSO▲ Oh, tradimento! il nome? ▼LEONORA▲ Ah! pria la morte che appagar tal desío. ▼ALFONSO▲ Forse i tormenti l'otterranno. ▼LEONORA▲ Oh! sire! SCENA QUINTA （I suddetti. Baldassarre penetra improvvisamente nella galleria seguito da monaci che recano una pergamena. Al suo apparire si manifesta in tutti una grande agitazione.） ▼ALFONSO▲ Qual tumulto! chi ardisce inoltrar? ▼BALDASSARRE▲ Io son quello, io son che vengo le tue colpe a impedir. ▼ALFONSO▲ Veglio! che parli! ▼BALDASSARRE▲ Re di Castiglia, Alfonso, io qui reclamo in faccia al ciel giustizia. Ove al dover t'opponi, in questa terra rivi di sangue scorreran fra poco. ▼ALFONSO▲ Rispetto io deggio della mia sposa al genitor, ma oblio te mai non prenda che il tuo re son'io. ▼BALDASSARRE▲ Tu per la scaltra ed abietta che del tuo amor s'ammanta, a vil ripudio dannar vuoi la mia prole? ▼ALFONSO▲ Io sì, lo voglio. ▼TUTTI▲ Oh cielo! ▼ALFONSO▲ È sacro il mio voler; la fronte ornar della corona d'altra donna mi piace, e sia qualunque questa regal mia cura, giudice all'opre, il re son'io. ▼BALDASSARRE▲ Sventura! Paventa del furor d'un Dio vendicator. Su' rei terribil scende e scudo egli è al tapin tu le procelle orrende affronti, sconsigliato; ma già l'estremo fato minaccia il tuo destin. ▼LEONORE▲ Io fremo dal terror, e sovra il mesto cor l'ira terribil scende del crudo mio destin. Tra le procelle orrende agghiaccia il cor turbato, e vedo estremo fato sorger d'appresso alfin. ▼ALFONSO▲ Agli atti ed al furor, che gli arde in mezzo al cor, fiero il rimorso scende entro il mio petto alfin ma le procelle orrende non mi vedran cangiato. Tu trema, sconsigliato, sul nero tuo destin. GASPARO e CORO Io fremo dal terror, e sovra il mesto cor, l'ira terribil scende del barbaro destin. Tra le procelle orrende agghiaccia il cor turbato, e vede estremo fato sorger d'appresso alfin. ▼BALDASSARRE▲ Voi tutti che mi udite, la coppia rea fuggite, questa perversa femmina ha maledetto il ciel. ▼LEONORA▲ Oh Dio! ▼ALFONSO▲ Leonora! ahi, misera! ▼LEONORA▲ M'inghiotta omai l'avel. ▼CORO▲ Che mai parlò del ciel! ▼ALFONSO▲ E con quai dritti!… ▼BALDASSARRE▲ In nome del pastor sommo, maledetti entrambi, se doman gl'iniqui e stolti non sian per sempre separati e sciolti. ▼ALFONSO▲ (Ah! che diss'egli? Quel labbro insensato di rovesciare il mio trono ha tentato; il petto m'arde tremendo di sdegno; pur la vendetta non scende del re! Ah! pria ch'io ceda, perisca il mio regno, lo scettro, il brando, s'infranga con me.) ▼LEONORA▲ (Ah! che diss'egli? Quel petto infiammato me dalla terra, dal cielo ha scacciato; muta quest'alma non nutre un disegno, né la vendetta reclama del re amor, vergogna m'invade e disdegno, morte, deh, scendi propizia su me.) ▼BALDASSARRE▲ （togliendo una pergamena dalle mani dello scudiero） Lo stemma è questo del sommo pastor. Sì, che d'un nume terribile, irato, difende il braccio d'inerme oltraggiato; Alfonso, trema, vedrassi nel regno arder di guerra la face per te; sacro all'infamia, de' popoli a sdegno, ricada il sangue, sull'empia, sul re. GASPARO e CORO (Ah! che diss'egli? Quel labbro infiammato face di guerra qui in mezzo ha gittato il petto gli arde tremendo di sdegno, pur la vendetta non scende del re; sia quest'infame bandita dal regno; sia maledetto chi asilo le diè!) INES e CORO di DONNE (Ah! che diss'egli? Quel labbro infiammato face di guerra qui in mezzo ha gittato il petto gli arde tremendo di sdegno, pur la vendetta non scende del re; d'amor le gioie, la speme d'un regno, donna infelice, già tutto perdé.) （Leonora fugge smarrita celandosi il volto fra le mani.） ATTO SECONDO Galleria dalla quale vedonsi i giardini. SCENA PRIMA Alfonso e Don Gasparo. ALFONSO Giardini d'Alcazar, de' mauri regi care delizie, oh, quanto alla vostr'ombra riandar m'è grato i dolci sogni dell'amore, onde s'inebria il cor. GASPARO Del vinto il tetto è premio al vincitor, per te la fede trionfa, e Ismael fugge e paventa. ALFONSO Sì, di Marocco i regi e di Granata insiem, vider la luna a Tariffa crollar. GASPARO Fu la tua gloria, signor. ALFONSO Fu mia? Non mai. Fu Fernando, fu quel garzon valente, che un giorno sol fe' noto, che rannodò l'armata salvando il suo signor. Ogg'io l'attendo a Siviglia e innanzi a tutti il suo valore d'onorar desio. GASPARO Della tua sposa or giunse sdegnoso il genitor. ALFONSO con impazienza Alcun gli fea già chiaro il mio pensiero. Don Gasparo a cui don Alfonso fa cenno di uscire, s'inchina con rispetto e parte. SCENA SECONDA Alfonso solo. ALFONSO seguendo con lo sguardo Don Gasparo Ma de' malvagi invan sul capo mio sventure impreca invida rabbia, invano contro il mio amor congiurano; di tutti l'inique trame io scerno. Per te, mia vita, affronterei l'averno. Vien, Leonora, a' piedi tuoi serto e soglio il cor ti pone. Ah! se amare il re tu puoi, mai del don si pentirà, lo splendor delle corone cede innanzi alla beltà. De' nemici tuoi lo sdegno disfidar saprò per te; se a te cessi e l'alma e il regno, io per gli altri ancor son re. De' miei dì compagna io voglio farti, o bella, innanzi al ciel, al mio fianco unita in soglio, al mio fianco nell'avel. movendo incontro a Don Gasparo, che ritorna, e col quale s'intrattiene Per la festa previen tutta mia corte. SCENA TERZA Leonora discorrendo a voce bassa con Ines, Alfonso e Don Gasparo. LEONORA Ebben, così si narra! INES Ei prode vincitor. LEONORA Egli è Fernando! A lui la gloria!… O cielo! a me l'infamia! . fa cenno ad Ines di ritirarsi e il re s'avvicina a Leonora ALFONSO Ah, Leonora, il guardo perché mesta inclinar? LEONORA Lieta tu credi sia la tua donna teco!… il cor non vedi! Quando le soglie paterne varcai debol fanciulla, delusa nel cor, giunta qui teco, divider sperai il talamo, offerto di sposa all'amor. ALFONSO sommessamente Taci. LEONORA Sì, Alfonso, me traviata, avvilita m'hai tolto il padre, I'onore, la fé, tacita e sola, da tutti schernita tra l'ombre ascosa, la bella è del re. ALFONSO In questo suol a lusingar tua cura regna il piacer, la via sparsa è di fior. Se intorno a te più bella appar natura, ahi, donde avvien che tanto è il tuo dolor? LEONORA In questo suol s'ammanta la sventura di gemme, d'oro, e di leggiadri fior, ma vede il cielo la mortal mia cura; se ride il labbro, disperato è il cor. ALFONSO Ma di tue doglie la cagion primiera? LEONORA Ah! taci… indarno tu la chiedi a me, soffri che lungi da tua corte io pera. ALFONSO A ogni uomo è noto l'amor mio per te. Alfin vedrai, se questo cor t'adora. LEONORA È vil Leonora, troppo grande è il re. ALFONSO (Ah! l'alto amor che nutro in petto in lei diviene sterile affetto, non v'ha destin del suo miglior, pur grave, oh Dio! le pesa in cor.) LEONORA (Ah! l'alto amor che nutro in petto in me divien soave affetto ma splende invan, come fulgor, di tomba, oh Dio, nel muto orror.) Entrano in questo momento dame, cavalieri, paggi, soldati. ALFONSO Poni tregua al martir, siedi regina della festa che amore a te destina. SCENA QUARTA Don Gasparo e detti. GASPARO Ah! Sire! ALFONSO Che mai fu? GASPARO sommessamente Tua fede intera al suddito fedele ognor negasti ebben, lei che colmasti di fortuna e di gloria, il suo sovrano nel segreto tradìa. ALFONSO Menti. GASPARO Uno schiavo questo foglio recato avea per essa ad Ines… Alfonso legge il labbro mio non mente. ALFONSO allontanando d'un gesto Don Gasparo No, possibil non è. volgendosi poi a Leonora Chi scriverti osa, e parlarti d'amor? LEONORA riconoscendo il carattere Ah! l'uom che adoro! ALFONSO Oh, tradimento! il nome? LEONORA Ah! pria la morte che appagar tal desío. ALFONSO Forse i tormenti l'otterranno. LEONORA Oh! sire! SCENA QUINTA I suddetti. Baldassarre penetra improvvisamente nella galleria seguito da monaci che recano una pergamena. Al suo apparire si manifesta in tutti una grande agitazione. ALFONSO Qual tumulto! chi ardisce inoltrar? BALDASSARRE Io son quello, io son che vengo le tue colpe a impedir. ALFONSO Veglio! che parli! BALDASSARRE Re di Castiglia, Alfonso, io qui reclamo in faccia al ciel giustizia. Ove al dover t'opponi, in questa terra rivi di sangue scorreran fra poco. ALFONSO Rispetto io deggio della mia sposa al genitor, ma oblio te mai non prenda che il tuo re son'io. BALDASSARRE Tu per la scaltra ed abietta che del tuo amor s'ammanta, a vil ripudio dannar vuoi la mia prole? ALFONSO Io sì, lo voglio. TUTTI Oh cielo! ALFONSO È sacro il mio voler; la fronte ornar della corona d'altra donna mi piace, e sia qualunque questa regal mia cura, giudice all'opre, il re son'io. BALDASSARRE Sventura! Paventa del furor d'un Dio vendicator. Su' rei terribil scende e scudo egli è al tapin tu le procelle orrende affronti, sconsigliato; ma già l'estremo fato minaccia il tuo destin. LEONORE Io fremo dal terror, e sovra il mesto cor l'ira terribil scende del crudo mio destin. Tra le procelle orrende agghiaccia il cor turbato, e vedo estremo fato sorger d'appresso alfin. ALFONSO Agli atti ed al furor, che gli arde in mezzo al cor, fiero il rimorso scende entro il mio petto alfin ma le procelle orrende non mi vedran cangiato. Tu trema, sconsigliato, sul nero tuo destin. GASPARO e CORO Io fremo dal terror, e sovra il mesto cor, l'ira terribil scende del barbaro destin. Tra le procelle orrende agghiaccia il cor turbato, e vede estremo fato sorger d'appresso alfin. BALDASSARRE Voi tutti che mi udite, la coppia rea fuggite, questa perversa femmina ha maledetto il ciel. LEONORA Oh Dio! ALFONSO Leonora! ahi, misera! LEONORA M'inghiotta omai l'avel. CORO Che mai parlò del ciel! ALFONSO E con quai dritti!… BALDASSARRE In nome del pastor sommo, maledetti entrambi, se doman gl'iniqui e stolti non sian per sempre separati e sciolti. ALFONSO (Ah! che diss'egli? Quel labbro insensato di rovesciare il mio trono ha tentato; il petto m'arde tremendo di sdegno; pur la vendetta non scende del re! Ah! pria ch'io ceda, perisca il mio regno, lo scettro, il brando, s'infranga con me.) LEONORA (Ah! che diss'egli? Quel petto infiammato me dalla terra, dal cielo ha scacciato; muta quest'alma non nutre un disegno, né la vendetta reclama del re amor, vergogna m'invade e disdegno, morte, deh, scendi propizia su me.) BALDASSARRE togliendo una pergamena dalle mani dello scudiero Lo stemma è questo del sommo pastor. Sì, che d'un nume terribile, irato, difende il braccio d'inerme oltraggiato; Alfonso, trema, vedrassi nel regno arder di guerra la face per te; sacro all'infamia, de' popoli a sdegno, ricada il sangue, sull'empia, sul re. GASPARO e CORO (Ah! che diss'egli? Quel labbro infiammato face di guerra qui in mezzo ha gittato il petto gli arde tremendo di sdegno, pur la vendetta non scende del re; sia quest'infame bandita dal regno; sia maledetto chi asilo le diè!) INES e CORO di DONNE (Ah! che diss'egli? Quel labbro infiammato face di guerra qui in mezzo ha gittato il petto gli arde tremendo di sdegno, pur la vendetta non scende del re; d'amor le gioie, la speme d'un regno, donna infelice, già tutto perdé.) Leonora fugge smarrita celandosi il volto fra le mani. Donizetti,Gaetano/La favorita/III
https://w.atwiki.jp/minecraftdevip/pages/25.html
手持ちのアイテムやチェストの中身を整理するMOD 手持ちのアイテムはコマンド、チェストの中身は棒で殴ると整理できる。 コマンド 説明 パーミッション /sort アイテム爛を整理 simplesort.inventory /sort hot 手持ちのアイテム欄を整理 〃 /sort all アイテム爛、手持ちのアイテム欄をまとめて整理 〃 チェストソートを有効にする simplesort.chest
https://w.atwiki.jp/snunlimited/pages/162.html
STARITE TEACHING A BUSINESSMAN TO FISH! 1 THIS MAN DREAMS OF BEING A FISHERMAN! START BY DRESSING HIM APPROPRIATELY! HINT1 HELP ME DRESS LIKE A FISHERMAN. HINT2 THIS SUN IS BURNING MY HEAD. HINT3 I WOULD LIKE A HAT. クリア可能な言葉：HAT、WADERS 2 NEXT, HE NEEDS TO CATCH SOME FISH! GIVE HIM AN OBJECT TO REEL THEM IN! HINT1 GIVE ME A TOOL TO CATCH FISH. HINT2 GIVE ME A DEVICE THAT CATCHES FISH. HINT3 I WOULD LIKE A FISHING POLE. クリア可能な言葉：FISHING POLE、FISHING ROD 3 THE BASS IS NOT BITING! PLACE SOMETHING IT WANTS IN THE WATER! HINT1 I'M FEELING HUNGRY. HINT2 I LIKE EATING CRAWLING GROSS THINGS. HINT3 I LOVE WORMS. クリア可能な言葉：WORM 4 TIME TO CATCH THE RAINBOW HALIBUT! IT HAS A MORE COLORFUL TASTE! HINT1 I LIKE EATING COLORFUL FOOD. HINT2 I LIKE EATING SHINY COLORFUL OBJECTS. HINT3 I LIKE TO EAT CANDY. クリア可能な言葉：CANDY 5 NOW TO CATCH A FUDGE MEGALODON! GIVE THE MEGALODON ITS DINNER! HINT1 WHAT'S FOR DINNER? HINT2 I LIKE MY PREY SWEET AND LIVELY. HINT3 I'M IN THE MOOD FOR A MARSHMALLOW FISH. クリア可能な言葉：SUGAR PRIMATE PALS! 1 EACH MONKEY HAS A HOBBY! CREATE A HUMAN THAT HAS SIMILAR TASTES TO EACH MONKEY! START BY MAKING SOMEONE FOR THE MUSICAL MONKEY! HINT1 I WANT A MUSICAL FRIEND. HINT2 I LOVE GOING TO CONCERTS. HINT3 I LOVE HANGING OUT WITH ROCKSTARS. クリア可能な言葉：ROCKSTAR 2 THE FLYING MONKEY GREW WINGS AFTER DRINKING A POTION! CREATE SOMEONE FOR THIS MAGICAL MONKEY! HINT1 I NEED A MAGICAL FRIEND. HINT2 I LOVE CASTING MAGIC SPELLS. HINT3 I WANT TO MEET A REAL WITCH. クリア可能な言葉：MAGICIAN、WITCH 3 THIS COMPUTER SAVVY MONKEY LOVES PLAYING VIDEO GAMES! CREATE A FRIEND FOR THIS MONKEY! HINT1 I NEED A FRIEND WHO LIKES VIDEO GAMES. HINT2 I LIKE TO EAT CHEESE PUFFS AND DRINK SODA WITH FRIENDS! HINT3 MY FRIENDS ARE SUCH A GEEKS. クリア可能な言葉：GAMER、GEEK 4 THIS MONKEY IS ALSO WEARING A ROOSTER HAT! CREATE A FRIEND FOR THIS MONKEY! HINT1 I NEED A FRIEND WITH MY FASION SENSE. HINT2 I LIKE PEOPLE WITH ROOSTER HATS. HINT3 I'LL BE FRIENDS WITH ANYONE WEARING A ROOSTER HAT! クリア可能な言葉：MAXWELL}}、[[ROOSTER HAT SHARDS FEEDING PICKY PIRANHAS! VEGETARIAN PIRANHA WE'RE VEGETARIAN PIRANHAS! WHAT'S FOR LUNCH? クリア可能な言葉 RICE、VEGETABLE RAIN DANCE! SHAMAN I WANT TO DANCE, BUT I DON'T HAVE A BEAT TO FOLLOW! クリア可能な言葉 DANCER、RADIO JOINING THE TROOP! GOOD-SIZED FATHERLY SILVERBACK GORILLA WE ONLY ALLOW GORILLAS IN OUR TROOP AND YOU ARE NO GORILLA! クリア可能な言葉 GORILLA SUIT VITAMIN D PLEASE! SUNBATHER I CAN'T FEEL THE SUNLIGHT BY THE RIVER CREATE SOMETHING TO HELP ME TAN! クリア可能な言葉 LIGHT、SUN UPCOMING ARTIST L.E. PHANT! ELEPHANT HELP ME PRACTICE MY PAINTING! クリア可能な言葉 CRAYON、PAINT CLASSIC RETRO GAME HOPPING! TREE FROG PLACE SOMETHING IN BETWEEN THESE LOGS TO HELP ME CROSS THE RIVER! クリア可能な言葉 BRIDGE(STRUCTURE)、LOG BOOBY TRAPPED! TIKI TORCH THE TREASURE WILL APPEAR WHEN THE LANTERNS IGNITE! クリア可能な言葉 MATCH HONEYMOON HEARTBREAK! DEAD BRIDESMAID PLEASE REUNITE ME WITH MY LOVE! クリア可能な言葉 ALIVE、LIVING RIVER SPEED BUMP! SINKING FLAMING BOAT HELP ME SAIL AGAIN! クリア可能な言葉 MATCH、ENGINEER、SAILOR PHOTO SHY SHAMAN! TOURIST HELP ME TAKE A PICTURE WITH THIS LOCAL! クリア可能な言葉 CAMERA
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【Tags Ebot Kaito tP P】 Original Music title パラドキシカル・パラダイム English music title Paradoxical Paradigm Romaji music title Paradokishikaru Paradaimu Music Lyrics written, Voice edited by Ebot Music arranged by Ebot Singer(s) Kaito Click here for the original Japanese Lyrics English Lyrics (translated by animeyay)： Inside a spiral wind, I ve come across an unacquainted girl. I begin to unbutton her shirt on her bosom, above which she is making the sign of the cross. The sounds of our crossing destinies resound every night at that exact instant. Our scorching shadows display a monochrome shade, as the glass sky creaks. Spread out the unfathomable Arcana tarot cards, as the light crimson lingers in this stillness. Unable to tie our fates threads despite our trying, we begin to fall and wane into a fleeting future. Grief is something planned and schemed beforehand, a paradigm that depicts a paradox. I have begun to seek out my suspicions; just what should I believe in? Our trembling fingers and clinging eyesights form a paradigm that depicts a paradox. Even our fates have started turning pale; just what should I seize into my hand? In that one moment falling into a doze, the glass container of my memory shatters. Gazing at the light given off by the broken shards, I turn over to the next page. Being erased off by the sound of the siren, I m lost again at the repeat of the remarks. I avert my eyes away from the horoscope, as the dream from last night throbs in pain. Behind the no-room-for-error tactics, a persona sneers mischievously. I can t reach there; I can t see through the lies. I m completely trapped in the earnest flames. The rhythms of enchantment begin to play a paradigm that depicts a paradox. I yearn for the swirls of sighs; just what play should I perform? The rupturing shade and the distorted ellipse form a paradigm that depicts a paradox. My grief is preparing another sin; just what should I be able to forgive? The inconsistent tears that can t be shaken off, the epilogues that are only similar in their answers, the creeping velvets and color-changing replicas, a tale of endless resisting. Grief is something planned and schemed beforehand, a paradigm that depicts a paradox. I have begun to seek out my suspicions; just what should I believe in? Our trembling fingers and clinging eyesights form a paradigm that depicts a paradox. Even our fates have started turning pale; just what should I seize into my hand? The rhythms of enchantment begin to play a paradigm that depicts a paradox. I yearn for the swirls of sighs; just what play should I perform? The rupturing shade and the distorted ellipse form a paradigm that depicts a paradox. My grief is preparing another sin; just what should I be able to forgive? Romaji lyrics (transliterated by animeyay)： rasen no kaze no naka o mishiranu onna ni deau juuji o kiru mune no ue de botan o hazusu unmei no kasanaru oto ga yogoto no setsuna ni hibiku yakitsuku kage monokuroomu garasu no sora kishimu yomihodokenai arikana hirogete shizukesa ni tamerau usubeni motomeaenai ito mo musubenai karisome no mirai ni ochite yuku kanashimi wa shikumareta mono mou gyakusetsu egaku paradaimu giwaku o sagashihajimete ru nani o shinjireba ii no furueru yubi sugaru shisen mou gyakusetsu egaku paradaimu un mo aozamehajimete ru nani o tsukamereba ii no madoromu toki no naka de kudakeru kioku no gurasu hahen ni sasu akari mitsume peeji o mekuru sairen ni kakikesare nidome no serifu ni mayou me o somuketa horosukoopu yarai no yume uzuku fumihazusenai kakehiki no ato de itazura ni perusona ga warau tadoritsukenai uso mo minukenai hitamuki no honoo ni hodasareru kowaku no rizumu kanadedasu mou gyakusetsu egaku paradaimu nageki no uzu ni kogarete ru nani o enjireba ii no hokorobu kage yugamu daen mou gyakusetsu egaku paradaimu urei wa tsumi o sonaete ru nani o yurusereba ii no furihodokenai fujouri no namida kotae dake awasu epiroogu hawasu biroodo irozuku repurika eien ni aragau monogatari kanashimi wa shikumareta mono mou gyakusetsu egaku paradaimu giwaku o sagashihajimete ru nani o shinjireba ii no furueru yubi sugaru shisen mou gyakusetsu egaku paradaimu un mo aozamehajimete ru nani o tsukamereba ii no kowaku no rizumu kanadedasu mou gyakusetsu egaku paradaimu nageki no uzu ni kogarete ru nani o enjireba ii no hokorobu kage yugamu daen mou gyakusetsu egaku paradaimu urei wa tsumi o sonaete ru nani o yurusereba ii no []
https://w.atwiki.jp/vocaloidenglishlyric/pages/605.html
【Tags Miku buzzG tM M】 Original Music title メリーとニコラウス English music title Merry and Nicolaus Romaji music title Merii to Nikorausu Music Lyrics written, Voice edited by buzzG Music arranged by buzzG Singer(s) 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson)： "Mister! They say you can make miracles... is that true?" The girl enquired the old man. "Hah... I wonder myself... Maybe you'd call it miracle, maybe not... But I suppose long ago, I used to raise some flying reindeer..." "Wha?! No way! You're a terrible joker, mister!" "Heh heh... Well, now! You ought to be going. I bet your mom'll be angry otherwise." Despite the old man's urging, the girl couldn't accept it. Showing this with her expression, she reluctantly nodded her head. But then, as if just recalling it, the old man said... "Ah, right! Until the next time we meet, think about what it is you want. As thanks for listening to this senile old man and keeping him company, I'll give you whatever you like." "Yaaay! Thank you! You promise?" I've lost the name that God gave to me; All status, honor, and glory is gone now... I was shunned, and made a fool of, but I just laughed it off I saw I was putting on the years, but still I smiled Until you know the meaning of "goodbye," You'll act like it's all just fine - aren't I right? I don't have to the power to make miracles, But I can't help but let out tears... I kept such good care of that old blue clock, But with the second hand stopped, I felt so lonely... I put my own self second, and wished for others' joy, So my declining life could bring smiles elsewhere... Don't go - there's so much I still don't know You cradled me with your great, warm hands, but it still hurt... If you have the power to make miracles, Then please, God, just once more... One day in December, I heard bells from far away, Telling me an old, white-bearded man was coming to see me... Until I know the meaning of "goodbye," You'll act like it's all just fine - aren't I right? Maybe you don't have to the power to make miracles, But there's something far more important... Hey, there's something I want, so please listen; Just put it in my stocking - that's fine, right? Never mind the power to make miracles; I found something much more precious... And it was you who taught it to me... Romaji lyrics (transliterated by vgboy / vgperson)： "Oji-san! Kiseki o okoseru tte, hontou?" Shoujo wa roujin ni tazunemasu. "Aa... dou darou nee... Kiseki to yobu no ka wakaranai keredo, Mukashi wa, sora o tobu tonakai o katteita koto mo atta kana..." "Ee, uso da! Oji-san wa joudan ga heta dana!" "Hehe... hora! Sorosoro kaeranaito. Okaa-san ni okorarete shimau yo?" Roujin ga unagasu mo, shoujo wa nattoku wa ikenai. To itta hyoujou de, shibushibu unazukimashita. Suru to, roujin wa omoidashita you ni... "Sou da! Tsugi ni au toki made ni, hoshii mono o kangaete okinasai. Mouroku shita kono jii no hanashi ni tsukiatte kureta orei ni, Suki na mono o ageyou." "Waai! Arigatou! Yakusoku da yo?" Kamisama ga kureta sono namae o nakushite Chii mo meiyo mo eikou mo ushinattan desho Utomarete baka ni sare sore demo waraitobashite Kitsukeba toshi dake kasanete mada waratteta Sayonara no sono imi ga wakaru made no aida Anata wa heiki na furi o shiteta ne nee sou desho Kiseki o okosu chikara mo nai no ni Boroboro namida ga dechau no Sugoku daiji ni shiteta mizuiro no okitokei wa Byoushin ga tomatta manma samishisou ni shiteta Jibun no koto wa ni no tsugi tanin no shiawase negatte Katamuita inochi o yoso ni mata waratteta Ikanaide watashi mada shiranai koto ga aru no Ooki na te de nadete kureta nukumori ga itai yo Kiseki o okosu chikara ga aru nara Kamisama mou ichido dake Juuni-gatsu to aru hi ni suzu no ne ga tooku kikoete Shiroi hige no roujin ga ai ni kuru to iu Sayonara no sono imi ga wakaru made no aida Anata wa heiki na furi o shiteta ne nee sou desho Kiseki o okosu chikara wa nai kedo Sonna no yori mo zutto Nee hoshii mono ga aru no kiite kureru Kutsushita ni irete oite yo nee ii desho Kiseki o okosu chikara nanka yori Daiji na mono o mitsuketa yo Anata ga oshiete kureta yo
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Graviola Side Effects of Graviola Parkinson-like symptoms Annonacin Rain Tree Nutrition, Graviola Annona Muricata, 600 mg, 100 Capsules(RTN-00016) Suggested Use As a dietary supplement, take 3 capsules 3-4 times daily or as directed by a health professional. http //www.rain-tree.com/graviola.htm
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HARARE [ハラレ] HARARE は AFRICA に位置する人口約 3.00 millionの都市。 HARARE Airportは Class 1 の空港。 “HARARE (BEFORE 1982 KNOWN AS SALISBURY) IS THE LARGEST CITY AND CAPITAL OF ZIMBABWE.” OPEN(coins) 16000coins 宣伝(coins) 26000coins レベル1 レベル2 レベル3 アップグレードコスト(coins) - 32000 48000 LAYOVERS 6 12 18 CLOSE時の払戻(coins) 8000 24000 48000 空港 一覧 AFRICA [アフリカ] AL FASHIR・ALGIERS・BAMAKO・BEIRA・BENGHAZI・CAIRO・CAPE TOWN・CASABLANCA・DAKAR・DJIBOUTI・DURBAN・HARARE・IN SALAH・JOHANNESBURG・JUBA・KADUNA・KAMPALA・KANANGA・KHARTOUM・KINSHASA・KISANGANI・LAGOS・LILONGWE・LIVINGSTONE・LOBITO・MAHAJANGA・MOGADISHU・MOMBASA・MONROVIA・NAIROBI・PORT ELIZABETH・PORT SUDAN・TIMBUKTU・TRIPOLI・WINDHOEK・ZANZIBAR ASIA [アジア] ADEN・AHMEDABAD・ANADYR・BAGHDAD・BANGALORE・BANGKOK・BEIJING・BUTWAL・CEBU・CHENGDU・DELHI・DHAKA・GUANGZHOU・HANOI・HARBIN・HONG KONG・HYDERABAD・ISTANBUL・JAKARTA・JERUSALEM・KABUL・KANDAHAR・KARACHI・KOLKATA・KUCHING・KUWAIT CITY・LHASA・MAGADAN・MANILA・MUMBAI・MUSCAT・NAGASAKI・NANPING・NORILSK・NOVOSIBIRSK・OSAKA・PADANG・PALU・PEVEK・PORT MORESBY・RANGOON・RIYADH・SAPPORO・SENDAI・SEOUL・SHANGHAI・SHENYANG・SINGAPORE・TAIPEI・TEHRAN・TIKSI・TOKYO・ULAN BATOR・URUMQI・VLADIVOSTOK・XI AN・XINING・YAKUTSK・YINCHUAN EUROPE [ヨーロッパ] AMSTERDAM・ATHENS・BARCELONA・BEIRUT・BELFAST・BELGRADE・BERGEN・BERLIN・BERN・BORDEAUX・BRUSSELS・BUCHAREST・COPENHAGEN・CORDOBA(SPAIN)・GLASGOW・HAMMERFEST・HELSINKI・KIEV・LISBON・LONDON・LULEA・LYON・MADRID・MANCHESTER・MINSK・MOSCOW・MUNICH・MURMANSK・NAPLES・OSLO・OULU・PARIS・PERM・PRAGUE・REYKJAVIK・RIGA・ROME・ST.PETERSBURG・STOCKHOLM・TBILISI・TRONDHEIM・VENICE・VIENNA・VOLGOGRAD・WARSAW NORTH AMERICA [北アメリカ] ANCHORAGE・ATLANTA・BARROW・BISMARCK・BOSTON・CALGARY・CANCUN・CHARLESTON・CHICAGO・CHIHUAHUA・CINCINNATI・DALLAS・DENVER・DETROIT・EDMONTON・FAIRBANKS・GOOSE BAY・GUATEMALA・HAVANA・HILO・HONOLULU・HOUSTON・INUVIK・IQALUIT・JUNEAU・KANSAS CITY・KETCHIKAN・LAS VEGAS・LOS ANGELES・MEXICO CITY・MIAMI・MINNEAPOLIS・MONTERREY・MONTREAL・NEW ORLEANS・NEW YORK・NOME・NUUK・OAXACA・ORLANDO・OTTAWA・PANAMA CITY・PHILADELPHIA・PHOENIX・PORTLAND・QUEBEC・SALT LAKE CITY・SAN DIEGO・SAN FRANCISCO・SAN JOSE・SANTO DOMINGO・SASKATOON・SEATTLE・SPOKANE・ST.LOUIS・THUNDER BAY・TORONTO・VANCOUVER・WASHINGTON DC・WHITEHORSE・WINNIPEG・YELLOWKNIFE SOUTH AMERICA [南アメリカ] ARAGUAINA・ASUNCION・BARILOCHE・BELEM・BOGOTA・BRASILIA・BUENOS AIRES・CAMPO GRANDE・CARACAS・CORDOBA(ARGENTINA)・CUIABA・CUZCO・EASTER ISLAND・FORTALEZA・GEORGETOWN・IQUITOS・LA PAZ・LIMA・MANAUS・PORTO VELHO・PUNTA ARENAS・QUITO・RECIFE・RIO DE JANEIRO・SALVADOR・SANTIAGO・SAO PAULO・TERESINA OCEANIA [オセアニア] ADELAIDE・ALICE SPRINGS・AUCKLAND・BRISBANE・BROKEN HILL・BROOME・CAIRNS・CHRISTCHURCH・DARWIN・GERALDTON・HOBART・KALGOORLIE・KATHERINE・MELBOURNE・MOUNT ISA・NEWMAN・PERTH・PORT HEDLAND・ROCKHAMPTON・SYDNEY・WELLINGTON
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24/7 Supermarket 概要 解説 店舗（利用可） 店舗（利用不可） 看板 ロゴの変遷 概要 日本語：トゥウェンティーフォー・セブン 業種：小売業（コンビニエンスストア） 所在地：各地 解説 GTA SAから始めた人にはおなじみのコンビニエンスストア。 「24-7」とは日本語でいう「年中無休・24時間営業」である。 ゲーム中でも実際に休み無しで開店している。 SAでは中に入ることができ、商品は購入できなかったがジュースとスナックの自動販売機、アーケードゲーム機が使用できた。 また、IVでも登場するが中に入ることはできなかった。 今作では再び入る事ができるようになり、スナック菓子を買ったり、強盗ができる。 店舗数はかなり多いものの、中に入れない店舗もいくつかある。 ちなみにGTA VCのコルテス大佐から依頼される戦車を奪ってくるミッション「sir,yes sir!」にて、途中で戦車の運転手が立ち寄るドーナツ店の看板をよく見ると24-7と書かれている。 BincoとDiscount Storeにロゴ入りキャップがあり、トレバーが購入できる。 見ての通りおなじみセブン-イレブン のパロディ。 日本企業のイメージが強いセブン-イレブンだが、セブンそのものはアメリカで創業した企業。70年代初頭にイトーヨーカドー(現セブンアンドアイホールディングス)が日本へ導入した。 ただし米セブンは1991年に経営破綻したため、日本セブンが出資。現在はセブン-イレブン・ジャパンの完全子会社になっている。 GTAV公式サイト24-Hour Convenience Stores 店舗（利用可） Strawberryディスカウントストア1の北西向かい。 西隣りのCity Paints.IncのモデルはCity Fibres,Inc. 。その西隣りのLos Santos Office Supply CoはSt. Fiacre Hospital北向かいの倉庫と同じデザインで、モデルはこちら 。 向かいのHands On Car Wash（洗車場1）のモデルはCrown Car Wash 。その西隣りの2つの建物とLS Paper Coのモデルはこちら 。 Downtown Vinewood不動産ピッチャーズの通りの東。 Banham Canyonパシフィックブラフスとチュマスの間、海岸側の住宅街の通り。 Chumash海岸側の住宅地の通り。 Tataviam Mountains, Los Santos Countyアミュネーション9の向かい。サービスエリアのRONのガソリンスタンドに併設。 Senora Freeway, Grand Senora Desertグランドセノーラ砂漠の東端。Earl's Mini Mart（Xero Gas）に併設。 Earl's Mini Martと24/7のモデルはOld Joe's Mini MartとLa Mina 。 Sandy Shores Route 68, Harmonyサブアーバン2の向かい西側。Animal Arkの向かい。Rebel Radioの北西側。 すぐ東側のJr. Market LiquorのモデルはMojave Jr. Market Liquor 。 Mount Chiliad／Mount GordoGlobe Oilのガソリンスタンドに併設。 店舗（利用不可） Echorock Shopping Plaza（Alta）サブアーバン3と理容店6の間。Bite!の西隣り。 HawickAuto Exoticの北隣り。 Vinewood Plaza（Hawick）アミュネーション2の所。Pizza Thisのすぐ西。Los Santos Department of Water & Powerの南隣り。 モデルはSunset Plaza 。 Vinewood Little SeoulBean Machineの西隣り。 西の角にあるSunshine ApartmentsのモデルはAbbey Building 。 Korean Plaza（Little Seoul） Lago Zancudo, Los Santos County アミュネーション7の通り（ルート68）がアミュネーション8の通り（グレートオーシャンハイウェイ）につきあたる丁字路。RONのガソリンスタンドに併設。 看板 ロゴの変遷 1992年（Grand Theft Auto San Andreas） ↓ 2008年（Grand Theft Auto IV） 2013年（Grand Theft Auto V）